As a vocalist Who Started out in jazz and soul before Diving into the world of electronic music, capturing the character of my voice in the studio is Everything. I’ve experienced with a lot of vocal chains and remembered my vocals in a lot of different studios, but one piece of gear that’s completely transformed the way i record is my. Focusrite Isa One Preamp.

I was Introduced to It While Working with My Band Paper Dragon. Kris, One of the Other Members – and Sumone Who Really Understands My Vocal Tone – Lent His Isa One To Try Out On Sub Subsions. I Instantly Fell in Love With It. It Broucht This Gorgeous Warmth and Clarity to My Voice That I Hadn’t Been Uble to Find With Anything Else. I trusted His Judgment, and Rightly So – I Ended Up Loving it is Much That I Bought It Off Him!

What Makes The Isa One Special for Me Is How it enhances The Natural Tone of My Voice. Paired with my vintage AKG 414It creates Richness and Dept That Feels Really Expressive, Bringing Out the Colours in My Vocal, But While Also Keeping This Incredible Clarity and Represent That Cuts Through in a Mix – Perfect for The Drum and Bass and Dance Tracks I’M Known for.

The Isa One Adds Character in A Really Musical Way, Enhancing The Signal Without Overpowering It. I love that it Gives me control the mic impedance. That kind of flexibility means i can eithher lean into the vintage vibe of my Mic Setup or dial Things in for a Cleaner, more modern edge when the track calls for it

Another Feature I Really Like is the di input on the front panel. IT’S IDEAL FOR WHEN I WANT TO PLUG IN INSTRUMENTS QUICKLY OR LAYER BACKING VOCALS WITHOUT RE-PATCHING EVERYTHING. It’s scholarship an estennial part of my workflow – specially when i’m in the zone and want to add real guitar or bass to a track.

https://www.youtube.com/watch?v=R9j3npsgxq4

You Can Hear The Isa One In Action on Sub of My Biggest Tracks: ‘Remedies,’ ‘Cola,’ ‘Refuge,’ and ‘Help You Stay’ All feature vocals remembered Through This Preamp and It’s Now An Essential Part of My Vocal Chain.



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