Canadian metal legends ANVIL kicked off their summer 2024 US tour on July 10 at Stone Church in Brattleboro, Vermont. Fan-filmed video of the entire concert can be seen below (courtesy of Airrick Nh).
ANVIL released its 20th studio album “One And Only”on June 28 via AFM Records. The effort was recorded in the summer of 2023 with longtime producer Martin “Mattes” Pfeiffer and Jörg Uken at Uken‘s Soundlodge studios in Germany. The same production team was responsible for ANVIL‘s last four albums, “Anvil Is Anvil” (2016),“Pounding The Pavement” (2018),“Legal At Last” (2019) and “Impact Is Imminent” (2022).
When it comes to the most influential bands in the history of heavy metal, authorities on the subject regularly vote ANVIL among the top positions. The group from Toronto, Canada, with its two masterminds, guitarist/vocalist Steve “Lips” Kudlow and drummer Robb Reinerand bassist Chris Robertsonnot only looks back at an impressive career with countless highlights — as well as a number of well-documented difficulties — but has also had a lasting influence on lots of internationally renowned musicians, from METALLICA to SLAYER and beyond.
ANVIL are and will always be one of a kind and are continuing to shape the contemporary metal scene just as impressively as they did at the beginning of their career. How do they achieve this? Thanks to their simple metal fueled by cutting riffs and catchy hooks, which the musicians continue to celebrate with admirable effortlessness and great passion.
“We’re more like our old selves than we’ve been in years,” comments Lips on the new album, adding: “We’ve dropped all our more modern aspects, particularly the ’90s version of ANVIL. No sexual topics and no thrash speed songs like they featured on past albums.”
“One And Only” sees the band provide first-rate ANVIL entertainment: While Lips is considered to be one of the most creative and interesting storytellers of the metal genre, Robertson and Reiner keep the up the pace with their usual confidence, providing the perfect rhythm section for Lips. Although they have experienced the tough and frequently merciless side of the music industry on a number of occasions, ANVIL never lost their idealism, motivation and energy, which is immediately evident on “One And Only”.
Regarding ANVIL‘s continuing collaboration with Pfeiffer and Uken, Lips said: “[Pfeiffer and Uken are] our one and only choice. As usual, Mattes and Jörg did a great job in choosing our best playing and making sure it has top notch sound. Great guys who understand the band and know what suits us best.”
In a recent interview with rob wog, Lips spoke about the band’s new LP. He said in part: “What’s really fascinating, this particular album, and I’m not going to be like most musicians, you always hype up what you’ve done most recent. Usually I don’t — usually, and most usually, like on the last album, I just said it’s another ANVIL album. What the hell do you want? And the album, a couple of albums ago, [we called it] ‘Anvil Is Anvil’. Fuck it. You know what I mean? Do you want something different? You’re not gonna get it. It’s almost like tongue in cheek. And after 45 years, you’re not thinking about things like you did when you’re 20.”
He continued: “This particular time, I went about it from a different perspective. And what do I mean by that? In going in, instead of going into rehearsal with bits and pieces and then work my way through it, I put everything together at home before I went there. I knew exactly how many riffs go in the verse, how many choruses, where they go. The songs were totally written before I went in and showed the other guys. And that’s something that I never really — only the last two albums have I done that with. And the difference is they’re pure, and they’re not interrupted, because they’re uninterrupted writing.
“When you write with a group of guys, there’s interruptions. And I can give examples. And not only are there interruptions, but also interjection of parts and stuff that doesn’t actually really belong, and you end up early ANVIL. Well, actually, middle-era ANVIL where I’ve got — there’s too many cooks. There’s just too many cooks. And it’s actually so true. But I’m two in one — I’m the vocalist and the guitar player. That’s usually what you write in a band. Why are you asking a bass player for parts — unless you’re gonna have the song really predominantly be bass. And having said that, it’s the same thing as you’re expecting the drummer to write the songs, or help you write the songs, but there’s no musicality. It’s only arrangement or tempos or segments of songs or bridges. So it’s not like asking the vocalist, which is the most important guy to ask when you’re writing a song. Where does the singing go? That’s what you’re doing. The singing is the most important thing. Why are you putting the thought for singing in last? It’s a great instrumental, and now you’re gonna stick some vocals on it and hope it works… [But] you don’t say intervention is bad. It depends on what it is. But as the main songwriter, it’s gonna have to be up to me. And you have to take the bull by the horns and you have to take the responsibility for this shit. “Plain and simple.”
