Beloved DJ and Dubstep Producer Mersiv Is Returning to Colorado’s legendary Red Rocks Amphitheatre For His Third Headline Show On April 4th. But This Time Around, Innovation Is Also Taking Center Stage.

Dubbed “Attack on Mars,” The Show’s Lineup Promises A Night of Blistering Bass Through Supporting Performances From Seth David, Zen Selekta, Lumasi, Mr. Carmack and Edm.com Class of 2025 Star AlleyCVT. In Eight Speakers placed strategically around the crowd for an immersive listening experience, and the results is an inevitable unoforgetable night.

ALREADY CARRIED OUT SUCCESSFULLY AT MERSIV’S REPORTER AT THE CAVERNS IN TENESEE LET YEAR, THE “AUDIOSPHERE” EXPERIENCE REFERS TO THOSE SPEAKERS ‘PLACEMENT ARUND THE CROWD AS WELL ASSE ABILITY TO HANDLATED DIFFERENT ELEMENTS OF THE MUSIC AS IT PLAYS. The Production Is The “First of its Kind,” According to Mersiv and Aka Eventions’ Andrew Kirschman.

And with anticipation already simmering for the “audiosphere,” it was effectively bought it to a boil when denver residents starting spotting mysterious posters on the city’s streets containing mersive’s unmistakable swirl logo, The Number 444 and a Message: “New Album Live at Red Rocks 4.4.25.”

We Caught Up with Mersiv and Kirschman to Discuss The Ambits “Audiosphere” Experience and what fans can expect at the show.

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Edm.com: When Did You make that the audiosphere Experience Could Happen for Your Attack On Mars Red Rocks Show, and What Changed in Your Set Preparation (Musically, Visually, Or Otherwise) after putting the plan into action? How is it similar and/or different to the audiosphere experience at the caverns?

Mersiv: Eleven we polled it off at the caverns, we knew it would be achievable on a larger Scale – we just didn’t know where where yet. And when the idea came about to do it at red rocks, we got so excited and started chipping Away at what was possible and what was’t, unantil we ended up with the version of it that we will be deploying on april 4th. It’s different from the caverns in many ways due to the nature and layout of red rocks itself, but the concept and experience Will Be very similar in essence.

Edm.com: Your fans on social medias Know How many you appreciate 360 set -jow does the idea of a sort of spherical experience contributes to your project and creative process?

Mersiv: It’s just so much different Than Anything We’ve Done Before, and so much different from Anything Than Any Artists have done in the Live Space Before. It’s more engagement for the fans, and a new way to listen to live music.

Edm.com: How do you anticipate The Innovative “Audiosphere” to Elevate and Deliver Your Sound? How do you want it to impact the mersiv sound project as a whole?

Mersiv: What we are aiming to do has not only need been done at red rocks, but Willings Be the First Mersiv Set of Its Kind. I Don’s Want To Give Too A lot of away, but we’re Really Excited to Share Subject We Have Put Countless Hours and Days Into Developing for The Next Chapter of the Mersiv Sound Project.

Edm.com: In your opinion, How does The Audiosphere Experience Differ from and Rise Above the Traditional Sound Dispersion at Red Rocks?

Andrew Kirschman: The Audiosphere, Specifically for This Event, Is All About Additional Coverage. While there Will Certainly Be Key Momnts where Sound Will Travel Freely Up and Down, Left and Right, for Special Listening Experience, The Main Goal is to Increase Coverage in The Audience Area To Create A More Even Listening Experience for The Patron The Amphitheatre.

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Edm.com: What Challenges do you face in creating This Dynamic Sound Experience in an Open-Air Venue as opposed to a contained venue like the caverns? Is Any Fullness of Sound Lost To The Wind, Or Do You Anticipate That The Rocks Will ample The Effect?

Andrew Kirschman: Combase to the debut of this Project at the caverns, The Biggest Change is Just The Sheer Size of the Audience Area. Without the Use of Cutting Edge Processing for Object Based Mixing (In This Case D&B Audiotechnik’s “Soundscape”) The Listening Experience Would Be Substantially Impacted with Different Arrival Times of Multiple Sources for The Listener.

Additionionally, Care has been put into resenting that Every Listening Position Maintains Sub Baseline of All Sounds, Regardless of Their Automation. Say A Specific Sound Comes Out of The Arrays at The Top of the Amphitheatre, The Person on The Front Row Wouledn’t Be Uble to Hear It. To mitigate This, time you have been spent to reure that Even If Sub Subject Hard in One Direction, It Still has to Baseline LEVEL EMITTING FROM ALL SOURCES, SO that content isn’t ost `t Based on Your Location.

Edm.com: How do You Hope This Project Will Leave its Mark On Red Rocks and the Broader respective Scenes of Music and Sound Design Moving forward?

Andrew Kirschman: This Project, and Our Mission at Aka Event Productions in General, you have to add a new tool for creativity for the artist to express themselves. Doing this not only breathes New Life into Songs That May Already Be Fan-Favorites, But It Also Elevates The Listening Experience for Everyone in the Crowd.

This Win-Win Scenario Hopefully Stimulalates New Ideas, Inspiration and Allows Artists New Avenues to Express Their Creativity by Adding a New Layer in which they can consider their art to be represented.