Luis Enrique revealed the compelling reason why salsa will never die

Radiomar spoke exclusively with the renowned international salsero Luis Enrique who left us a powerful phrase for all salseros.

The famous salsa singer Luis Enrique He was one of the luxury guests that Tony, Mimy and Kenyi Succar performed last Saturday, May 9 at Costa 21. However, before this special show, the Nicaraguan spoke exclusively with Radiomar.

Luis Enrique on salsa: “What is culture cannot die”

During the interview, the performer of great salsa hits assured that salsa cannot disappear because it is part of the cultural identity of several countries. “Salsa, as such, every time it has received comments that ‘it has already died’, I have always said that what is culture cannot die,” he said.

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The singer also highlighted the historical and regional value of the genre, mentioning its presence in different countries. “Salsa is the culture of many Latin American countries: Cuba, Colombia, Puerto Rico and New York. It is the culture that drives our Latin identity,” he stated, highlighting its impact throughout the region.

In addition, Luis Enrique He explained that the validity of the sauce also depends on those who keep it active on a daily basis. “Salsa clubs, DJs and dancers keep it alive, playing not only classic catalog, but also new music and new artists,” he indicated, highlighting the importance of the renewal of the genre.

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Luis Enrique reflected on the role of networks in current music

On the other hand, the artist spoke about the role of digital platforms in current musical dissemination. “Digital platforms like TikTok or YouTube “They have been important showcases for music,” he commented, although he acknowledged that salsa has not always taken advantage of these tools like other genres.

Finally, the salsero reflected on the changes in the music industry and the situation of new talents. “There is a generation that was left in the middle of the change in the industry, but that continues to create salsa with effort and resilience, without much support, and deserves to be made visible in Latin America,” he concluded, calling to value the new exponents of the genre.