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The international star Mora put the finishing touch to his world tour “Lo Mismo de La Otra Vez Tour” with two sold-out shows at the Coliseum of Puerto Rico, his homeland, performing for the first time in 360º format.
After successfully touring the main cities of the United States, Spain and Latin America, the tour established itself as a global benchmark for Latin urban music, confirming Mora’s international projection.
The closing of the tour comes after a year marked by milestones in the artist’s career, “LO MÍSMO DE SIEMPRE” was recognized as one of the best debuts of the year, was positioned among the most outstanding Latin albums according to Hypebeast and was part of the playlist curated by former President Barack Obama, a recognition that reaffirms its cultural impact beyond urban music. Added to these achievements is the collaboration with New Era, whose collection was sold out after selling more than 10 thousand units in just one hour, demonstrating his influence also in the cultural and lifestyle field. This impact was manifested in presentations among the highest grossing on the Latin circuit, reinforcing Mora’s position as one of the artists with the greatest projection and appeal at a global level.
In addition, the “LO MÍSMO DE LA OTRA VEZ TOUR” tour positioned Mora among the artists with the greatest live performance internationally. According to Pollstar, the tour entered the LIVE 75 ranking, being one of the 20 tours worldwide with the highest attendance and collection and, ranking among the most notable active tours in the world by average tickets sold, occupied capacity and collection, sharing the list with some of the most relevant figures in the global industry.
During both nights, Mora toured his discography with a repertoire that included “Lo Mismo de Siempre”, “Bandida”, “Tema de Jory”, “Más Que Algo”, “Droga”, “Aurora”, “When Me Vaya”, “Estrella”, “Media Luna”, “Pasajero”, “Reina”, “Donde Se Learn a Querer”, “Paraíso”, as well as special moments such as “Bienvenida al Paraíso”, the “Domingo de Bote” medley, APA and Calentón”, and other hits such as “Modelito”, “Falsas Promesas”, “Microdosis”, “2010”, “Playa Privada”, “Escalofríos”, “La Inocente”, “512”, “Volando”, “Tuyo”, “IA”, “Memorias” and “Detrás de Tu Alma”, building a musical journey that thrilled and kept the audience engaged from beginning to end.
The show featured a first-class production that integrated cutting-edge technology, 360° scenic design, high-definition screens, cinematic visuals, and precise lighting and effects work. Every detail contributed to an immersive experience, consolidating Mora’s commitment to innovative stage proposals at an international level.
The closing featured a parade of guest artists who added energy to the stage: Jhayco, Young Miko, Clarent, De La Rose, Midnvght, Joyce Santana, Brray and paopao, showing the camaraderie and respect within the Puerto Rican urban scene and turning the nights into a celebration of Latin and Puerto Rican talent.
The tour included 40 presentations in cities in the United States, Spain and Latin America, with multiple sold-out performances and attendance records. In the first 24 hours of sale, more than 250 thousand tickets were shipped, and high demand forced additional dates to be added in different territories. A milestone that consolidated “LO MÍSMO DE LA OTRA VEZ” as one of the most ambitious and successful Latin tours of the year.
The album “LO MISMO DE SIMEMPRE” established itself as one of the most relevant projects of Mora’s career, ranking among the five most listened to Latin albums globally. Taken together, the impact of the album and the tour reaffirmed his status as an innovative and consistent artist, capable of emotionally connecting with audiences around the world and remaining relevant in a constantly changing musical landscape.
Today, Mora is positioned as one of the most influential figures in contemporary Latin music: a global reference whose authenticity, artistic vision and perseverance continue to expand the possibilities of the urban Latin and redefining the scope of the Latin artist in the 21st century.
